Author(s): AJ Jex-Blake (Ed)
1950 3rd Edition with 20 coloured plates depicting 110 wild flowers of Kenya. Good cover, green boards with gold lettering.
A Practical Handbook by Memvers of the Kenya Horticultural Society and of the Kenya, Uganda and Tanganyika Civil Services
Rwanda (then the eastern edge of the Belgian Congo) just makes it onto the left side of the frontispiece map.
I like the first chapter’s opening sentence: “This chapter is intended for the beginner rather than for the hardened gardener.” ‘Hardened,’ not skilled or experienced, but hardened — as in, “I’ve been through a lot.”
The writer then chides those already toughened up Kenya gardeners who adopt “a pseudomodest manner” with newcomers:
“You have forgotten about the innumerable insect pests and plagues, cutworms, flies, aphides, and the fact that each kind of plant has a pest of its own to all seeming. What about the scorching wind, the burning sun, the hungry hares and antelopes nibbling your roses and carnations to death, the mousebirds that steal your fruit and tear your flowers to shreds? Think of the torrents of tropical rain, the raging floods that batter all your plants to the ground, and wash off your lovely top soil far, far away into the Desert or the Indian Ocean. . . .” And please don’t get him started on the locusts.
Most of the color plates in the book were painted by Joy Adamson of “Born Free” fame. The previous year, she had received the Grenfell Gold Medal from the Royal Horticultural Society for her botanical artwork.
Lady Muriel Jex-Blake (daughter of the 14th Earl of Pembroke, no less) was President of the Kenya Horticultural Society and author of three chapters of the book, as well as of her own book, Some Wildflowers of Kenya.
Her husband, Dr. Arthur John Jex-Blake, was the book’s editor. He made a promising start as a physician in England, but after serving in World War I and marrying Muriel in 1920, he left it all behind to live outside Nairobi.
The writer of his 1957 obituary noted that Dr. Jex-Blake always felt overshadowed by his aunt (Sophia Jex-Blake, one of the first women doctors in Great Britain and co-founder of two medical schools for women) and his sisters (the heads of Lady Margaret Hall, Oxford, and Girton College), but “he loved flowers, the classics, and beautiful things.”
In 1948, however, as he completed his preface to the third edition, he seemed to be finding the post-war times challenging. In expressing his gratitude to his publishers, he nearly lost control of his final sentence:
“For, after three piping years of peace, printers and publishers, like the rest of the industrial world, are ever at the mercy of the impersonal incompetence of officialdom and the well-organized administrative chaos now, alas! so painfully familiar to everybody who lives and works in England.”